Death Becomes Him

It’s always nice to have beautiful new books come tumbling through the metaphorical letter-box, doubly so when the new arrival turns out to be from one of your favourite publishers.  So you can imagine that I was a tad on the happy side when I recently received my review copy of Peirene Press’ latest publication, the eighth book in their short history, and the second of the 2012 Small Epic series.  After the dark, icy historical fiction of The Brothers, we’re heading back to Scandinavia for some more-contemporary (but just as dark) fare, this time in Denmark – detective fiction, Peirene style 😉


Pia Juul’s The Murder of Halland (translated by Martin Aitken) is a dark, deliberately confusing, literary crime novel, a welcome twist on the wave of Scandinavian detective fiction which has recently been invading our shores.  The novel is told through the eyes of Bess, a forty-something divorcée who left her husband a decade ago for the enigmatic Halland, a wealthy, hard-working older man.  Given the title of the novel, it is hardly surprising that his appearance in the book is a rather brief one – within a matter of pages, poor Halland is found gunned down in the street outside his house.

The first Bess (and the reader) learns about the murder is when a local man knocks on her door and blurts out that he is arresting her for the murder of her husband.  The fact that the man is not a policeman – and that Bess is not actually married to the recently departed Halland – takes something away from this rather dramatic announcement…  Once the initial shock has died down however, Bess is left to answer a few difficult questions.  If she didn’t kill her partner, then who did?  Where are his phone and laptop?  And, perhaps most importantly, how does she actually feel about his death?

Over the next 150 pages, the reader is carefully inducted into Bess’ world, and a most confusing one it is too.  We start with zero knowledge, but as the book progresses, Juul helpfully fills in some of the gaps.  Unfortunately, most of these gaps are not the ones we really need to know about in order to solve the crime; Bess (and Juul) keep those secrets closely guarded…

And that, of course, is part of the charm of the book.  The writer is playing with both the reader and the crime genre itself, casually throwing a murder into the first few pages of the story, then carrying on as if the identify of the murderer is of negligible interest.  By concentrating on Bess, and not anyone involved in the investigation, The Murder of Halland takes us into an awkward realm where we’re not quite sure what we’re reading for – is it to solve the crime, or to find out more about our traumatised heroine?

There is definitely a lot to find out about too.  You would expect to feel a lot of sympathy with someone going through what poor Bess is experiencing, but she (or Juul) makes it very hard to empathise with her.  She is rude, aggressive, ignorant, possibly alcoholic, and she apparently abandoned her husband (and her young daughter) for a relationship based purely on lust.  While she is obviously affected by grief, you do begin to wonder whether she’s really just a rather horrid person.

It’s also hard to decide how genuine her grief is.  The more we learn about her relationship with Halland, the less attached she appears to be.  For someone who has spent ten year’s in the man’s company, she seems to know very little about what makes (made…) him tick.  And I’m not convinced that the grief can completely explain her wandering eye…

While Bess is a fascinating character, the corpse of the story is every bit as interesting.  The figure of Halland towers over the novella, becoming more and more invasive with every page.  The discovery of a possible second life stuns Bess, forcing her to think hard about what Halland actually did for a living.  Could it be that he knew what was coming?  Did his illness have anything to do with it?  Is there any significance in the film poster Bess finds?  You don’t really think I’m going to tell you, do you? 😉

The Murder of Halland is a wonderful little book, a play on a detective novel with a plethora of clues, red herrings and characters suspicious by their very presence scattered throughout its pages.  In many ways, not least of which is the presence of a slightly unreliable narrator, it reminds me of another Peirene offering, Matthias Politycki’s Next World Novella.  Like Politycki’s book, it’s a story which forces the reader to pay attention to detail (including the delightful Inspector Morse-esque quotations which precede each chapter), and it’s a book which will definitely stand up to rereading.  But, I hear you ask, do we find out who the murderer actually was?

Well, that would be telling 😉


12 thoughts on “Death Becomes Him

  1. Great review. I also reviewed it for the Crime Fiction Lover website and said there that for those expecting standard Scandinavian crime fare, it would not be suitable. However, as an elegy on grief and the inability to ever fully comprehend the human heart, it is a beautiful piece of work.


  2. Gary – Ah, my review of 'The Whispering Muse' will be out in a fortnight (another #translationthurs review!). With this, Sjón and 'The Islands' one after another, I've been spoiled by the small translated fiction presses recently 🙂

    Marina – Thanks 🙂 I'm not really a fan of crime fiction; this is much more my cup of tea.

    I have to say though, I'm not convinced that there was really a whole lot of grief there… 😉


  3. I thought Bess did grieve – but for Abby, and in a way that didn't leave much room for Halland. She seems shocked by his death, and bruised by the experience, but there was (for me) also a sense of relief. His death releases Bess from a clearly unsatisfactory relationship that seems to have been based on guilt, lust, and duty. You do get the sense that she's gained more than she lost.


  4. Desperate Reader – I'm not sure I'd call that grief; it was more regret, realising that she's given up her daughter for a relationship that wasn't worth it. And yes, she's definitely benefited from Halland's untimely demise 😉


  5. I just finished reading this and I'm feeling completely underwhelmed. The choppy sentence structure might have mirrored Bess's distracted thoughts, but it drove me nuts. It's a clever book in that it subverts the genre and subverts our expectations, and raises more questions than it answers, but it felt slight and empty to me. I expected something a bit more profound, but then again I don't read crime novels so I'm probably expecting too much.


  6. Tony – Well, seeing as I liked it… 😉

    If you're looking for a profound message, then I agree that you'll be disappointed, but what it does, it does very well. I read it for a second time a few weeks ago, and what struck me is how little we can trust Bess at all. In fact, I now think that there are huge gaps in the story, lots of things that Bess isn't telling us, either because she doesn't want to or can't remember them. You could almost write another story of the same length saying what she was really up to in these gaps…


  7. P.S. Other readers have commented on how the book explores grief and the effect it has on Bess, especially as she probably feels more relieved than she thinks she should about Halland's death.

    I'm not overly convinced by this theory 😉


  8. Great review Tony. I finished this one last night. I really like the way it pushes back against your expectations of a typical Nordic murder mystery – it’s much more about loss, guilt and how well we know those closest to us. I also like the way in which it leaves so many questions unanswered at the end (rather than tying the various loose ends together in a neat bow). Halland’s relationship with Pernille is particularly intriguing. One to revisit at some point and it’s good to hear that it rewards a second read. Jacqui


  9. Jacqui – Thanks 🙂 Definitely an interesting book, and the way it leaves things open works very well. Having said that, I'll still be surprised (but not disappointed) if it makes the IFFP shortlist…


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