For the longest time now, I’ve been meaning to knock up a post on the Japanese section of my home library (and you’ll note that there are no inverted commas required here – it really is getting that big…). That plan was given added impetus a while back when a few people on Twitter asked for pictures, and after a little procrastinating, I finally found the energy to get up, shift the books around and take photos of the relevant shelves.
It was actually a little trickier than it might seem, though. You see, the shelves in the photo are double-stacked, front and back, with many books jammed tightly into left-over spaces. Of course, it doesn’t help that I also had to clean up the floor space around the bookcase, with tons of old lego and abandoned dolls preventing me from actually getting to the books…
Anyway, now that you’ve heard me whinge about the effort I went to, I hope you’ll appreciate a look at my collection of Japanese literature (all links, as usual, are to my reviews) – enjoy 🙂
Top Left – Back:
The first thing you’ll notice here is one writer dominating the shelf as this is where I keep the bulk of my Haruki Murakami books. While I haven’t managed to get around to any of his non-fiction (an oversight), I do have virtually all of his fiction in English. This includes the original Alfred Birnbaum translations of his early novellas Hear the Wind Sing and Pinball, 1973, as well as the Ted Goossen retranslations. There is one intruder on top, though, an early proof of Akiyuki Nosaka’s The Whale that Fell in Love with a Submarine (translated by Ginny Tapley Takemori) – this is the only place it fits!
Bottom Left – Back:
The theme of this shelf is clearly big books (which I like, I cannot lie), mostly shelved here together for size. You’ll notice my copy of Murasaki Shikibu’s The Tale of Genji (in the Royall Tyler version) plus a couple of other works about the great book. While most of my Natsume Sōseki books are elsewhere, this shelf sees John Nathan’s biography of the writer plus a collection of his theoretical works. There are a couple of big modern books here – Ryū Murakami’s From the Fatherland, With Love (tr. Ralph McCarthy, Charles De Wolf and Ginny Tapley Takemori) and Minae Mizumura’s A True Novel (tr. Juliet Winters Carpenter) -, but one of the jewels in my collection is Shimei Futabatei’s Ukigumo (The Drifting Cloud), with Marleigh Ryan translating and analysing a book widely considered to be Japan’s first modern novel.
Top Right – Back:
This is where the bulk of my Natsume Sōseki books are to be found, with several in Penguin Classics and Tuttle Publishing editions, and there are also a fair few of Yukio Mishima’s works here, including his wonderful The Sea of Fertility tetralogy (one of several Japanese books that have taken out my book of the year prize). You might also spot a few books by Banana Yoshimoto here (hers tend to be scattered around wherever I can find space!), plus Machi Tawara’s Salad Anniversary (tr. Juliet Winters Carpenter), which I’m sure is the only example of tanka poetry on the shelves…
Bottom Right – Back:
There’s a little bit more of a mix down here, with some more Ryū Murakami, several novels by Shūsaku Endō, as well as all the Yōko Ogawa books I have (sadly, I don’t yet own a copy of the wonderful The Memory Police, translated by Stephen Snyder). Other writers of note include Nagai Kafu (I really need to get more of his work), Osamu Dazai (ditto) and a couple of stray bananas, of course 😉
Top Left – Front:
The front of this shelf seems to have two major themes. The first is a number of books from Kurodahan Press, who have been kind enough to send me many lesser-known works of J-Lit over the years. While I haven’t got around to all of them, you may recognise a few of these from reviews (the most recent was Edogawa Rampo’s Gold Mask, tr. William Varteresian). The other focus here is female writers, with a number of books by Hiromi Kawakami, Yūko Tsushima, and, inevitably, Banana Yoshimoto – I’m sure there’s something here for everyone.
Bottom Left – Front:
Again, you should be able to pick out a couple of trends here. This is where I keep most of my J-Lit collections (which I wrote about here), with only only the weighty Columbia University Press anthology still unread. It’s also home to some of my Japanese classics (with a couple, like The Tale of the Heike, tr. Royall Tyler, hidden behind). There are several works here harking back to the Heian era, and in the case of The Kōjiki (tr. Gustav Heldt), even earlier!
Top Right – Front:
A couple of years back, my usual January In Japan reading expanded into a project to read more of the work of Jun’ichirō Tanizaki, and you can see the fruit of that enjoyable experience here. This shelf also features the bulk of my Yasunari Kawabata collection, which is also growing steadily. Aside from a stray H. Murakami, which wouldn’t fit with the rest, you should be able to see a few interesting collections: the Keshiki chapbooks, my Red Circle Minis and the six books making up the Pushkin Press novella series (at which point I’d once again like to request that they issue some more of these…)
Bottom Right – Front:
The big name here is Kenzaburō Ōe, and I’ve managed to pick up quite a few of his books over the years. I have to admit, though, that there are several here I haven’t got to yet… These are complemented by a trio of Yasushi Inoue books, another Pushkin series cut short before its time, and a few more works by female authors: Minae Mizumura, Fumiko Enchi and Hitomi Kanehara 🙂
Bonus Shelf- Back:
But wait – that’s not all… You see, my J-Lit library seems to expand on a daily basis, so several months ago, I had to do some rearranging and kick out some other books (sorry, Korea) to make space for the inevitable new arrivals. Here you can mostly see recent review copies, including the latest couple from Mieko Kawakami, Izumi Suzki’s Terminal Boredom and another two great books from Shūsaku Endō. There are a few second-hand acquisitions here, too, with some additions to my Yasunari Kawabata collection (I really need to do some rearranging and get them all together…).
However, the main reason why I needed extra shelf space was being given some old books by an online friend who was downsizing his shelves. I was lucky enough to receive over a dozen titles I might have struggled to source otherwise (or would have had to pay much more to get!). Remember above when I said I needed to try more by Osamu Dazai? Well, now I have another couple of collections! There’s also more here from Sawako Ariyoshi and Yūko Tsushima, which I suspect I’ll be getting to in August’s Women in Translation Month. Last, but certainly not least, I have a pre-loved copy of Ivan Morris’ The World of the Shining Prince, and having spent much of the last month rereading The Tale of Genji in various editions, that’s a book I’m really looking forward to 🙂
So, that’s my little J-Lit library – for now, at least. I do have space for a few more books on that last bonus shelf, but once that’s full, I might be in a spot of bother. I wonder if my wife will let me buy yet *another* bookshelf? I’ll let you know how that conversation goes… 😉